The Journey Of The Magi. Sir Alec Guinness Reads T. S. Eliot - British Poets Of Our Time: . Eliot Read By Alec Guinness (2xCass, Album, Mono, Club). World Record Club, World Record Club.
Album Prufrock and Other Observations. The Love Song of J. Alfred Prufrock Lyrics. S’io credesse che mia risposta fosse A persona che mai tornasse al mondo, Questa fiamma staria senza piu scosse. Ma perciocchè giammai di questo fondo Non tornò vivo alcun, s’i’odo il vero, Senza tema d’infamia ti rispondo. And indeed there will be time For the yellow smoke that slides along the street, Rubbing its back upon the window-panes; There will be time, there will be time To prepare a face to meet the faces that you meet; There will be time to murder and create, And time for all the works and days of hands That lift and drop. a question on your plate; Time for you and time for me, And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea. In the room the women come and go Talking of Michelangelo.
The Love of J. Alfred Prufrock. Eliot - 'Old Possum's Book of Practical Cats' and other poems. The Orchard Music (от лица компании "Regis Records"); BMI - Broadcast Music In. и другие авторские общества (1). Ещё. Свернуть. Автовоспроизведение Если функция включена, то следующий ролик начнет воспроизводиться автоматически.
The Love Song of J. Launch Audio in a New Window. Ma percioche giammai di questo fondo Non torno vivo alcun, s’i’odo il vero, Senza tema d’infamia ti rispondo. Let us go and make our visit. In the room the women come and go. Talking of Michelangelo. The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys
The Love Song of J. Alfred Prufrock", commonly known as "Prufrock", is the first professionally published poem by American-born British poet T. Eliot (1888–1965). Eliot began writing "Prufrock" in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse at the instigation of Ezra Pound (1885–1972).
Those who only know . Eliot from such early poems as The Love Song of J. Alfred Prufrock and The Waste Land may be surprised to encounter what many critics consider his greatest work, the Four Quartets. The Eliot of the earlier, better-known poems alternates between mocking dissection and tragic lamentation for the supposed cultural decay of the West; in The Waste Land especially, Eliot draws upon his considerable erudition to collapse centuries of poetic and religious text into shards of modernist ingenuity and sharp fragments of despairing irony.
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Eliot's Love Song does not sing in praise of love. The title of the poem raises our expectation that in this poem we shall hear how a lover lays bare his heart at the feet of his beloved. But nothing of this sort happens in the poem. The title of the poem is ironic. The point of calling this poem a Love Song lies in the irony that it will never be sung; that Prufrock will never dare to voice what he feels". This poem is an investigation of the disturbed consciousness of the typical modern man who is overeducated, powerful, anxious, and emotionally artificial.
Eliot started writing "Prufrock Among the Women" in 1909 as a graduate student at Harvard. He revised it over the next couple of years, changing the title to "The Love Song of J. Alfred Prufrock" along the way. First published in the Chicago magazine Poetry in June 1915, "Prufrock" later headlined Eliot's first book of poetry, Prufrock and Other Observations (1917). The collection established Eliot's reputation as a Modernist poet to be reckoned with, and "Prufrock" detailed many of the techniques and themes